Monday, September 7, 2009

Ear Candy


Ok, just about everyone with an acoustic and a webcam has recorded a cover of King's Of Leon's 'Use Somebody'.

What struck me, was my actual liking of Paramore's version. I'm Not a fan of Fanta head and co's stuff, but it takes all kinds...

Have a listen and make up your own minds and ears.

I even like the face she makes at the end of it.

I'm in an odd mood today.

Peace.


Friday, August 7, 2009

Get Connected


Hey all! (lol)

So, I've been freelancing a bit for the lovely folks at Connected Magazine. It's a lovely irreverent publication, choccer full of talented young journos.

It's available in most Dublin music stores, (HMV et al) and bars and restaurants all over the city and Belfast too.

New issue is out now, so make sure you get you filthy hands on it while you can.

AND there's an online version


I got the chance to leg it down to the Kings Of Conrete festival in the DCC two weeks ago, to watch some great skaters, DJ's and street artists in action.

Read all about it here
Laters
x

Eagle Vs Shark



Please do yourself a favour and rent or download (even though i'd never suggest such a thing) Eagle Vs Shark.

It stars Jermaine Clement, from HBO hilirousness, Flight of The Conchords.
If you liked Napoleon Dynamite, then you'll love this Kiwi gem.

Ok, so I'm slightly biased. Even though there's no such thing, it's like being a bit gay or a little bit pregnant. I'M BIASED, I love Flight of The Conchords.

Eagle Vs Shark is an adorable comedy abot two social retards, who find love through video games, fast food and high school bullies. It's not another loser rom com. It's an off beat tale, that will keep you enthralled from start to finish.

You'll fall in love with this film, unless you're a dickhead. End of.

Check out the cuteness below:

Tuesday, July 14, 2009

Blitz'd It!


Bass snubbing New York trio, the Yeah Yeah Yeahs are back with their uncharacteristically chilled out third release. It has taken Karen O and co, three years to churn out It’s Blitz, and it’s an album that will challenge the devotion of their old fans.

Upon first listen, it becomes shockingly evident that the sound of ‘Fever to Tell’ and the growing pains of ‘Show your bones’ are a distant memory. It’s Blitz is a big glittery juggernaut, decked out to the nines with dance-floor fodder.
The spirited ‘Heads Will Roll’, is shamelessly synthesised and will have even the biggest of wallflowers up on their feet, as Karen demands “Dance, dance, dance ‘til you’re dead!”

The initial alarming decision to strip away the fundamental sound of the YYY’s, seemed like a disastrous idea. Guitarist Nick Zinner has bartered his signature killer riffs, is currently armed with a keyboard and he’s not afraid to use it. Lead singer Karen O has tamed her infamous vocal mood swings for slightly quieter coos, while drummer Brian Chase has traded his kit for a variety of 70’s synths. Bold moves such as these usually don’t pay off.

However, it works. They’ve managed to transcend genres, while still maintaining their indie icon status effortlessly. The album has a special vulnerability about it, that you can’t help but give it a chance.

The beautifully composed ‘Hysteric’ is mirror image tearjerker to ‘Maps’. A luminous love song about being thoroughly happy in a relationship, with lyrics such as “Flow sweetly, hang heavy. You suddenly complete me” oozing over twinkling keyboards.

Breakout songs include the first track on the album ‘Zero’. O’s insistence to ‘Get your leather on’ diffuses her obvious revelry and climbs to a great climax. Although it is a misleading taster of things to come, as it’s a far more subversive record than before.

Things slow down with the piano heavy ‘Runaway’ which brings out a charming frangibility and a new ethereal sound emerges. But other tracks such as ‘Dull Life’ and ‘Shame and Fortune’ fall flat.

I was told I’d hate this album. At the beginning, apart from a handful of songs I did. It’s Blitz is the sort of record you’ll go back to in a couple of weeks and end up liking, in a well intended attempt not to give up on a band you’ve loved for so long. In short, ‘Blitz is a grower.

Yes, yes, yes, it is a very different sound for the once New York street punk threesome, but bands change. While It’s Blitz may isolate some fans, it’s dead set to garner new ones along the way. As the Yeah Yeah Yeah’s electro efforts have come to fruition.
3/5

Thursday, May 21, 2009

We Break Down, 21st Century Breakdown.


Billie Joe and the boys are back with their latest album titled '21st Century Breakdown'. Green Day's last record, the two time Grammy winning 'American Idiot' sold over 12 million copies worldwide.

21st Century Breakdown has taken front man Billie Joe three years to write and yes, it has been worth the wait. But for older fans it's another affirmation that Green Day are all a bit too U2 these days.

‘21st Century Breakdown’ comprises of 17 tracks, so you definitely are getting your money’s worth out of this self professed rock opera. In true theatrical fashion, the album is split up into three acts: "Heroes and Cons," "Charlatans and Saints," and "Horseshoes and Hand grenades."

Unlike ‘American Idiot’ most songs don’t make it past the five minute mark, a stark contrast to the 9 minute long tracks of their last record. It allows ‘breakdown to become more energetic quickly churning out songs such as "East Jesus Nowhere," "Before the Lobotomy," and "Restless Heart Syndrome."

Similar to that witnessed on American idiot, Green Day are still hell bent on confronting and addressing social and political issues. The trio expresses these tales through marginal characters who’ve found themselves vagrants, betrayed by church and state in modern America.

Still staying true to their punk rock roots, their lyrical angst and social urgency remain very much intact. Billie Joe snarls out lines such as "My generation is zero/I never made it a working-class hero."

However, a new sound for the band emerges on this album with a big focus on even bigger harmonies, twinkling pianos and sing-along choruses. 21st Century Breakdown is reminiscent of that found on a Queen record, quite a change from a trio that cite The Ramones, Husker Du and the Clash among their major influences. Green Day have embraced their newfound love of 70’s classic rock and are more than happy to pay homage to in their latest record.

The snot nosed punk rock brats form Oakland, who used to sing songs about getting wasted and drinking the day away, have morphed into a politically aware, socially driven stadium rock band that demands attention. With sing a long lyrics and hand claps a plenty, it’s a roaring, rock pop panto.

Wednesday, April 29, 2009

IT Crowd


The IT Crowd has won a BAFTA for best situation comedy!

The series is written by Father Ted writer Graham Linehan.

It can only mean good things for a fourth series! :)

Check out a backstage interview with the lads below:

Sunday, April 26, 2009

New Green Day!


Billie Joe and the boys are back with their latest album titled '21st Century Breakdown'.

Reprise records are at the helm of the band's eighth studio album.
Green Day's last record the two time Grammy winning 'American Idiot' sold over 12 million copies worldwide.

21st Century Breakdown is split into three acts: "Heroes and Cons," "Charlatans and Saints," and "Horseshoes and Handgrenades."

Songs include; "East Jesus Nowhere," "Before the Lobotomy," and "Restless Heart Syndrome."

Rolling Stone called the album "even more ambitious than American Idiot" and "a record of die-hard punk ideals... tightly scripted, continually ascending classic-rock excitement."

It's due for release on the 15th of May.

Below is sample of what to expect: